[The Story] Editing With Respect

“By the way, in the interest of time, I am using terse language in my comments, which may come across as patronizing. Totally not my intent.[1]” For two years now, I’ve silently written over 300,000 words, developing the writing/editing skills to properly write “The Story.” In the past month, I’ve hit upon my first major round of success in writing for an audience outside of myself, so thought I’d tie that into John and Trishna’s stories.

Spoilers?: Minor (characters fielding criticisms)
WANNA READ THE PERSPECTIVE OF A BUDDING WRITER ABOUT HOW CHARACTERS MIGHT OR MIGHT NOT HANDLE CRITICISM? CLICK HERE TO KEEP ON READING!

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[The Story] Sindian History Museum

I don’t yet know how much variation there is from our world and “The Story.” The easiest variations on fiction are real life and completely divergent paths. If I just wrote about India, then I’d just have to fly there, explore the area, and report my findings in a convenient way, just like writing about some imaginary location. Writing about a pseudo-India, Sindia, would require more research and nuance for John and Trishna to explore.

Spoilers?: Minor (artifacts within worldbuilding)
WANNA EXPLORE THE CREATIVE WRITING THOUGHT PROCESS OF DEVELOPING A WORLD? CLICK HERE TO KEEP ON READING!

[The Story] Unagi Teriyaki Writings

Storytelling is like cooking. Whether you just want a light snack, tiding you over until dinner, or need a meal preparing you for some arduous task, there are many meals for any situation and flavor. This flexibility has one constant: the importance of good ingredients. Fancy flatware doesn’t matter if the chicken teriyaki or unagi aren’t good. In my long-form writing effort, “The Story,” John [left] and Trishna [right] are the primary storytelling character… “ingredients.”

Spoilers?: Minor (brainstorming spicy characterizations)
WANNA CONSIDER HOW STORIES CAN HELP NOURISH OUR IMAGINATIONS LIKE MEALS NOURISH OUR STOMACHS? CLICK HERE TO KEEP ON READING!

[Keyboard Kommander] Story Mode Plan

Hello from the Seattle Indies Expo 2018! If you weren’t there, we showcased Keyboard Kommander, “a fast-paced action-packed typing game in which the player must fight off a horde of post-apocalyptic Zombies and Mutants in order to defend his or her fort.[1]” There’s a visceral physicality that I enjoy, and props to game creator and lead programmer William for constantly implementing improvements, including plans for a Story Mode. Here’s my strategy for making that plan possible.

WANNA CONSIDER HOW I’LL BE STRUCTURING A LONG-FORM STORY? CLICK HERE TO KEEP ON READING!

[The Story] Context and Nuance

“It’s like going into a landscaping project best suited for a rake with a shovel.[1]” “I’d get in there with a backhoe![2]” I prep my writing like landscapers prep the land with a backhoe before using a rake. Some projects just require a light raking or editing. I’m teaching myself how to use the writer’s equivalent of a backhoe because writing John [left] and Trishna’s [right] stories – “The Story” – is like landscaping for someone important.

Spoilers?: Minor (worldbuilding brainstorming exercise)
WANNA CONSIDER, MAYBE, THE PROS AND CONS OF BUILDING FAST VERSUS SLOW AND HOW YOU CAN DO BOTH WHILE STILL WORKING TOWARD YOUR GOALS? CLICK HERE TO KEEP ON READING!

[Applied Self-Confidence] Executing Narratives Successfully

Nothing is more frustrating creatively than being unable to execute upon your imagination. You might perfectly envision something while laying half-asleep in bed, yet when you ready your tools, something doesn’t translate! The writing’s flat, drawing’s weird, or project’s just not progressing. How do you fix that? For my development of “The Story,” it’s simple: don’t give up! Keep writing/working, worldbuilding/developing, and planning on what’s easy, constantly working on harder material, until it’s all natural!

Spoiler Warning Scale: None (brainstorming tactics) WANNA CONSIDER WHY YOU SHOULD BALANCE SMALLER AND LARGER PROJECTS? AND WHY YOU SHOULD GO THE DISTANCE WITH YOUR PROJECT? CLICK HERE TO KEEP ON READING!

[The Story] Different Than Me

Can we truly write any character without referring, even tangentially, to personal or professional experience? No matter how fantastic, bizarre, or false a character’s actions may seem to us, they are still rooted in some level of perception of our reality. Even filtered post-collaboration, most characters still represent certain unshakeable authorial archetypes of personality. Let’s explore how similar John [center] and Trishna [right] might be to me as their character arcs develop in “The Story.”

Spoilers?: Minor (character development/exploration)
WANNA CONSIDER HOW ORIGINAL CHARACTERS ARE LIKE MOONS ORBITING THE GRAVITY FIELDS OF EXISTING CHARACTER PLANETS…? OR WAS THAT TOO ABSTRACT? CLICK HERE TO KEEP ON READING!