I’ve had to shelve and nearly scrap 1000 publishable words. They’re good words that tell two good short stories. It’s just the series lead in a direction that won’t accomplish what I’m trying to do with the Sammohini Arc of “The Story.” 90% of it should be fiction practice and 10% should build context for John and Trishna’s Arc, the final and most ambitious story arc. Here’s why I haven’t dived in and started telling their developing story.
Spoilers?: Minor (my writing process)
WANNA SEE SOME BEHIND THE SCENES THOUGHTS AND EFFORTS? CLICK HERE TO KEEP ON READING!
Welcome to the new format! Better Zombie has changed significantly since the last Betzom update. Now that I have an average of 15 essays scheduled to publish, I have more lead time before each essay publishes to be more ambitious with the content or structure. More importantly, I’ve more fully realized how this website can help me achieve my goals: now, I’ll publish two short stories each week, along with two brainstorming updates to “The Story!”
WANNA READ MORE ABOUT MY AMBITIONS AND HOW YOU MIGHT ALSO ACHIEVE YOUR AMBITIONS? CLICK HERE TO KEEP ON READING!
“It’s like going into a landscaping project best suited for a rake with a shovel.” “I’d get in there with a backhoe!” I prep my writing like landscapers prep the land with a backhoe before using a rake. Some projects just require a light raking or editing. I’m teaching myself how to use the writer’s equivalent of a backhoe because writing John [left] and Trishna’s [right] stories – “The Story” – is like landscaping for someone important.
Spoilers?: Minor (worldbuilding brainstorming exercise)
WANNA CONSIDER, MAYBE, THE PROS AND CONS OF BUILDING FAST VERSUS SLOW AND HOW YOU CAN DO BOTH WHILE STILL WORKING TOWARD YOUR GOALS? CLICK HERE TO KEEP ON READING!
Nothing is more frustrating creatively than being unable to execute upon your imagination. You might perfectly envision something while laying half-asleep in bed, yet when you ready your tools, something doesn’t translate! The writing’s flat, drawing’s weird, or project’s just not progressing. How do you fix that? For my development of “The Story,” it’s simple: don’t give up! Keep writing/working, worldbuilding/developing, and planning on what’s easy, constantly working on harder material, until it’s all natural!
Spoiler Warning Scale: None (brainstorming tactics) WANNA CONSIDER WHY YOU SHOULD BALANCE SMALLER AND LARGER PROJECTS? AND WHY YOU SHOULD GO THE DISTANCE WITH YOUR PROJECT? CLICK HERE TO KEEP ON READING!
Now that I’m writing bi-weekly updates to “The Story,” I dredged up an interesting realization: why not write about some of the scenes that float through my imagination? It’ll be good practice for the real thing! Throwing characters into hypothetical situations can help build context for how they’ll act in other scenes. Like a movie playing on repeat, what if these scenes are already swimming around in your imagination? Let’s start with an innocent one:
Spoilers?: Minor (rough scene walkthrough)
WANNA CONSIDER HOW THE MORE YOU WORK ON A PROJECT, THE MORE THE PROJECT GROWS SEEMINGLY BY ITSELF? THEN ISN’T IT A MATTER OF SHAVING THE EXCESS? CLICK HERE TO KEEP ON READING!
If my ambitions for “The Story” include comprehensive commentaries on the nature of our reality, how much nuance should go into those commentaries? A thoroughly-built restaurant might evoke patron conversations idly chatting over the fine flatware or reveal restaurateuring price negotiations for finer flatware. The narrative should always guide the focus. It’d waste your time and my effort if Trishna (left) and John (right) only visited Zbigniew’s (center) Teriyaki once. But if they go frequently…?
Spoilers?: Minor (worldbuilding, character development)
WANNA CONSIDER BALANCING WOLRDBUILDING DETAIL BASED ON THE NARRATIVE WEIGHT OF THE LOCATION? CLICK HERE TO KEEP ON READING!
I’ve been procrastinating on writing “The Story” because I can’t write concisely nuanced enough yet to do it all justice. There’s an early scene codenamed “The Scene” that drives Trishna (right) and family three hours away to collect John (left). “The Scene,” and therefore “The Story,” would fall flat if I wrote it today. I don’t know when, or if, I’ll develop that skill. Loving the time until then is the only way to succeed.
Spoiler Warning Scale: Major (plot exploration) WANNA READ ABOUT HOW WE MUST LOVE WHAT WE NEED TO DO IN ORDER TO DO IT WELL? CLICK HERE TO KEEP ON READING!