I’ve had to shelve and nearly scrap 1000 publishable words. They’re good words that tell two good short stories. It’s just the series lead in a direction that won’t accomplish what I’m trying to do with the Sammohini Arc of “The Story.” 90% of it should be fiction practice and 10% should build context for John and Trishna’s Arc, the final and most ambitious story arc. Here’s why I haven’t dived in and started telling their developing story.
Spoilers?: Minor (my writing process)
WANNA SEE SOME BEHIND THE SCENES THOUGHTS AND EFFORTS? CLICK HERE TO KEEP ON READING!
I am inspired by everything. My nebulous memory recalls obscure scenes from movies last watched years back or situations experienced months ago. The resulting recollections create unique new memories. In this collaborative environment, it is, therefore, most important to observe and understand myriad random circumstances. “The Story,” in my initial attempt would proudly wear its references, reflected even in its name “References,” but now as I develop John [bottom-right] and Trishna [bottom-left], that consideration changed.
Spoilers?: Minor (comparing multiple characters)
WANNA CONSIDER HOW CLOSELY WE ARE INSPIRED BY THAT WHICH WE LIKE? CLICK HERE TO KEEP ON READING!
Can we truly write any character without referring, even tangentially, to personal or professional experience? No matter how fantastic, bizarre, or false a character’s actions may seem to us, they are still rooted in some level of perception of our reality. Even filtered post-collaboration, most characters still represent certain unshakeable authorial archetypes of personality. Let’s explore how similar John [center] and Trishna [right] might be to me as their character arcs develop in “The Story.”
Spoilers?: Minor (character development/exploration)
WANNA CONSIDER HOW ORIGINAL CHARACTERS ARE LIKE MOONS ORBITING THE GRAVITY FIELDS OF EXISTING CHARACTER PLANETS…? OR WAS THAT TOO ABSTRACT? CLICK HERE TO KEEP ON READING!
Now that I’m writing bi-weekly updates to “The Story,” I dredged up an interesting realization: why not write about some of the scenes that float through my imagination? It’ll be good practice for the real thing! Throwing characters into hypothetical situations can help build context for how they’ll act in other scenes. Like a movie playing on repeat, what if these scenes are already swimming around in your imagination? Let’s start with an innocent one:
Spoilers?: Minor (rough scene walkthrough)
WANNA CONSIDER HOW THE MORE YOU WORK ON A PROJECT, THE MORE THE PROJECT GROWS SEEMINGLY BY ITSELF? THEN ISN’T IT A MATTER OF SHAVING THE EXCESS? CLICK HERE TO KEEP ON READING!