I can envision the final scene of the Pollyanna Arc of “The Story” so clearly in my mind. Everything from the white linoleum tiles to the characters. It’s just there are hurdles to address. Primarily, an ending requires a story to precede it, the skill of which I am not yet confident I can write. Secondarily, the world of John [left] and Trishna [right] are not “there” yet. Tertiarily… let’s back up a few steps.
Spoilers?: Minor (brainstorming, worldbuilding, character-building)
WANNA CONSIDER HOW, AS YOU’RE WORLDBUILDING YOUR OWN STORIES, YOU SHOULD LOOK FOR INSPIRATION EVERYWHERE? CLICK HERE TO KEEP ON READING!
I realized a problem with myself: I wasn’t writing daily. Even though I was publishing essays daily, there were days I’d only write a few hundred words, so I agreed to dedicate myself to writing at least 500 words daily. If you want to be something, do it daily. This dedication has taken discipline, sacrifice, and stress. There are still days where I don’t write 500 words. Through all that, here are 425 words on what I learned:
WANNA READ ABOUT HOW THE MORE YOU EXPOSE YOURSELF TO WHAT YOU WANT TO DO, THE MORE LIKELY YOU’LL DO IT? CLICK HERE TO KEEP ON READING!
I’ve had to shelve and nearly scrap 1000 publishable words. They’re good words that tell two good short stories. It’s just the series lead in a direction that won’t accomplish what I’m trying to do with the Sammohini Arc of “The Story.” 90% of it should be fiction practice and 10% should build context for John and Trishna’s Arc, the final and most ambitious story arc. Here’s why I haven’t dived in and started telling their developing story.
Spoilers?: Minor (my writing process)
WANNA SEE SOME BEHIND THE SCENES THOUGHTS AND EFFORTS? CLICK HERE TO KEEP ON READING!
Now that I’m writing bi-weekly updates to “The Story,” I dredged up an interesting realization: why not write about some of the scenes that float through my imagination? It’ll be good practice for the real thing! Throwing characters into hypothetical situations can help build context for how they’ll act in other scenes. Like a movie playing on repeat, what if these scenes are already swimming around in your imagination? Let’s start with an innocent one:
Spoilers?: Minor (rough scene walkthrough)
WANNA CONSIDER HOW THE MORE YOU WORK ON A PROJECT, THE MORE THE PROJECT GROWS SEEMINGLY BY ITSELF? THEN ISN’T IT A MATTER OF SHAVING THE EXCESS? CLICK HERE TO KEEP ON READING!
My bull-headed dash through 501 essays has taught me to eschew listless energy. I’m focused on what directly or indirectly helps my mission of becoming a professional writer. When times are bad, escape into nuances that might push along the mission. When times are good, go full-bore! The more practice, the less insecurity I’ve felt over trivialities, enabling “this” to become a natural part of my life. Writing is as subconscious for me as eating breakfast.
WANNA READ ABOUT HOW IN ORDER TO DO ANYTHING, YOU MUST FIRST BE WILLING TO REPEATEDLY MAKE MISTAKES? PRACTICE IS ALL ABOUT LEARNING WHAT NOT TO DO. CLICK HERE TO KEEP ON READING!
How many times have you gone into work feeling great, only to leave feeling terrible? No matter how detached we think we are with our jobs – continually reminding ourselves not to concern ourselves over career trivialities – still, occasions will sneak up on us where a customer, boss, or circumstance creates a storm we just can’t endure. No matter how strong our defenses, there is always a weak point. How can we prevent professional bad days?
WANNA CONSIDER HOW THE MORE OF OUR EGO WE PLACE INTO SOMETHING BESIDES OURSELVES, THE MORE WE CAN GET HURT? CLICK HERE TO KEEP ON READING!