Now that I’m writing bi-weekly updates to “The Story,” I dredged up an interesting realization: why not write about some of the scenes that float through my imagination? It’ll be good practice for the real thing! Throwing characters into hypothetical situations can help build context for how they’ll act in other scenes. Like a movie playing on repeat, what if these scenes are already swimming around in your imagination? Let’s start with an innocent one:
Spoilers?: Minor (rough scene walkthrough)
WANNA CONSIDER HOW THE MORE YOU WORK ON A PROJECT, THE MORE THE PROJECT GROWS SEEMINGLY BY ITSELF? THEN ISN’T IT A MATTER OF SHAVING THE EXCESS? CLICK HERE TO KEEP ON READING!
Mother’s Day for the Lanchester family is an important celebration. Like Father’s Day, and everyone’s birthday, it’s more than just an excuse for Trishna (left) to take photos of her newborn niece Alejandría (“Allie Pally”). It’s a time to reconnect, fortify long-term goals, work through any lingering problems that might need attention, and celebrate the matriarchal side of the family. Let’s explore how Mother’s Days might feel in the first few years of “The Story.”
Spoiler Warning Scale: Minor (hypotheticals, character development)
WANNA READ ABOUT SOME COOL MOMS AND POTENTIAL MOMS? CLICK HERE TO KEEP ON READING!
The introductory conflict of “The Story” is how two social outcasts, John (left) and Trishna (right), want to develop their relationship yet can’t due to geographic distance. It’s not spoiling this conflict to say they do meet, since this conflict is the narrative introduction deemed “The Scene,” and it’s a convenient inference. If their natural inclination then is spending all of their time together, after spending years physically apart, would they even have separate hobbies?
Spoiler Warning Scale: Minor (character development) WANNA CONSIDER HOW WE MIGHT OVERSATURATE OURSELVES BY SOAKING IN TOO MUCH OF ONE THING? CLICK HERE TO KEEP ON READING!
While painting this inconsequential accent wall, I thought about how Trishna (left) and John (right) might paint in “The Story.” Trishna might lock her breaks, dip her roller with extension pole into a paint tray, paint one section, move, and repeat. John might then get the finer details along the corners. Since painting takes preparation, planning – and when working with others, teamwork, collaboration, and delegation of duties – how well would they handle any possible friction?
Spoiler Warning Scale: Minor (character development)
WANNA READ AN ACCIDENTALLY DEEP PSYCHOLOGICAL ANALYSIS PROMPTED FROM A RANDOM TASK? CLICK HERE TO KEEP ON READING!
Adaptation is a central theme to “The Story” Trishna’s service dog Pollyanna (background, right) grew up with acres of farmland to explore. When Trishna (foreground, left) leaves for college with John (foreground, right), her family have to figure out what’s best for the now-senior Pollyanna. Does Pollyanna retire from service duties, stay on the farm, and visit on weekends? Does she stay in their dorm apartment during the day? Do they invite her to class?
Spoiler Warning Scale: Minor (worldbuilding brainstorming) WANNA CONSIDER HOW, WITHOUT FIRST-HAND EXPERIENCES OR EXTENSIVE RESEARCH, STORIES CAN FALL APART? HOPEFULLY THAT WON’T HAPPEN HERE! CLICK HERE TO KEEP ON READING!
The ideal world would not have any villains. We’d go about our peaceful days without conflict. This “drama-free” world would not be functional, however, because by our very natures we have different interests and therefore investments. I’d rather wake up early to write broadly about how John and Trishna (right), main characters of “The Story” might overcome adversity, here shown as Dr. Mindbender (left). You might prefer clicking on the link/image below to continue reading.
Spoiler Warning Scale: Minor (just chatting about psychology/backstories) WANNA STOP SIGHING LOUDLY OVER HOW CORNY THAT SEGWAY WAS AND KEEP READING ABOUT HANDLING CONFLICT? YOU KNOW YOU DO. CLICK HERE TO KEEP ON READING!
“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.
Spoiler Warning Scale: None (just worldbuilding) WANNA READ A LITTLE ABOUT FARMING BUT MAINLY ABOUT WRITING STRATEGY? CLICK HERE TO KEEP ON READING!