“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.
The world of “The Story” can’t just anecdotally revolve around John and Trishna. Learning about related and peripheral characters can help enrich the overall narrative, especially as I start digging into details. Why do Trishna’s parents, Divit (left) and Brigit (right), own a farm? It’s hard work compared to our current digital work. Was it out of appeal? How much of it was out of necessity? Are farms even profitable in their world? Let’s explore.
“I.T., this is Sam.”
“Sam, Tia. Got a weird one, but first, how’s your baby? Healthy?”
“She’s stoked to be over at my parents this week, thanks-”
“Sure. Occasionally seeing this since yesterday. Rebooted. Sent you photo. Says battery life: 6800 hours.”
“Huh. Well, does it hold a charge?”
“Yes, going bad?”
“Probably… I’ll email you the battery model. Expense it, send me the weird one, and let me know if it persists.”
“Sure, appreciated. Bye!”
“The Story,” my ambitious project that permeates everything I do, has holidays similar to modern Americana. Let’s consider their biggest winter holiday: most everyone in Trishna’s extended family meets at her parents’s place, the Lanchester farm, for a day or so of festivities and socializing. This is also John’s first holiday with the family, and perhaps first big holiday gathering, since his childhood years were spent neglected or ignored. Let’s focus on the positive festivities:
Spoiler Warning Scale: Minor (first year narrative and world building)
WANNA SEE WORLD BUILDING AND FAMILY DYNAMICS OF THE MAIN CHARACTERS OF THE STORY? CLICK HERE TO KEEP ON READING!
Working as a team involves figuring out everyone’s strengths, weaknesses, areas to develop, traits to ignore, then doing the work. Between research and deep cleaning my kitchen, I was brainstorming ideas for “The Story” about how John (left) and Trishna would collaborate on cooking. Between partial use of his right arm and her bad foot and back, they’ll encounter adversity just preparing dinner, yet their primary strength is that “three hands are better than two.”
Spoiler Warning Scale: Minor (background, concept brainstorming)
WANNA READ HOW THEY MIGHT PREPARE DINNER? CLICK HERE TO KEEP ON READING!
Rather than focusing on character traits, this week’s brainstorming update to “The Story” will focus on a scene that’s cooking in my mind’s creative oven. Let’s see about collecting the ingredients for one of the first events following ‘the scene,’ or the catalytic events that throw everything into motion, where John (right) is invited over to Trishna’s family for dinner. The spoilers after the jump are primarily just world building stuff, so let’s dig in!
Spoiler Warning Scale: Minor (early narrative scene building)
WANNA DIG INTO THIS BRAINSTORMING BUFFET? KEEP ON READING!
Slightly mixing up the format of this week’s update to “The Story.” My spontaneous 500-word short stories are unplanned story jams. My 6,000-word short story contribution to the Keyboard Kommander Story Mode is more planned out. These and more are practice for my 500,000+ word plans with “The Story,” primarily featuring Trishna (left) and John. They’re human characters, with personality flaws, so let’s cover some of their blemishes. Here’s the mix: in potentially their own words?!
Spoiler Warning Scale: Minor (in-depth character development)
WANNA READ SOME PRACTICE FOR HOW TRISHNA AND JOHN MIGHT WRITE OR TALK? KEEP ON READING!