The introductory conflict of “The Story” is how two social outcasts, John (left) and Trishna (right), want to develop their relationship yet can’t due to geographic distance. It’s not spoiling this conflict to say they do meet, since this conflict is the narrative introduction deemed “The Scene,” and it’s a convenient inference. If their natural inclination then is spending all of their time together, after spending years physically apart, would they even have separate hobbies?
We can decide whether our weaknesses will cause us to become weak. While most weaknesses can become excuses that can potentially control us, there are exceptions that should be respected. My intentions are pure, so let’s not focus on any possible hypotheticals for this week’s update to “The Story.” Instead, let’s focus on two casual examples of when main characters John (off-center) and Trishna (center) decide to not let their physical weaknesses make them weak.
Despite our best efforts to sacrifice our pasts for the sake of maturation, we never really forget our childhoods. Certain events and mementos remain sacred. They remind us of who we were, who we wanted to be, and who we can still be, especially if/when we’ve strayed from our paths or are concerned that we might be straying away. In this week’s update to “The Story,” let’s consider the childhood toys of John and Trishna.
Spoiler Warning Scale: Minor (character building through materialism)
WANNA SEE THIS LITTLE PLUSH’S TRANSFORMATION FROM INSIGNIFICANT OBJECT TO A PLOT ELEMENT FIRST CONSIDERED ALMOST A YEAR AGO? CLICK HERE TO KEEP ON READING!
How often do you meet new people? Not just regurgitating scripts during transactional interactions with humans, either, how often do you allow yourself open up so that new people can meet you? That does require the vulnerability of letting your guard down, inviting people to see your ego’s grit, and possibly getting hurt. “The Story” will focus on many people and encounters, centering around Trishna (left) and John (right), almost as guides through their world.
Spoiler Warning Scale: Minor (philosophical character-building!) WANNA SEE HOW JOHN AND TRISHNA MEET OTHER FICTIONAL CHARACTERS? AND HOW THIS ANALOGY WORKS WELL FOR MAKING NEW FRIENDS? CLICK HERE TO KEEP ON READING!
“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.
The world of “The Story” can’t just anecdotally revolve around John and Trishna. Learning about related and peripheral characters can help enrich the overall narrative, especially as I start digging into details. Why do Trishna’s parents, Divit (left) and Brigit (right), own a farm? It’s hard work compared to our current digital work. Was it out of appeal? How much of it was out of necessity? Are farms even profitable in their world? Let’s explore.
“I.T., this is Sam.”
“Sam, Tia. Got a weird one, but first, how’s your baby? Healthy?”
“She’s stoked to be over at my parents this week, thanks-”
“Sure. Occasionally seeing this since yesterday. Rebooted. Sent you photo. Says battery life: 6800 hours.”
“Huh. Well, does it hold a charge?”
“Yes, going bad?”
“Probably… I’ll email you the battery model. Expense it, send me the weird one, and let me know if it persists.”
“Sure, appreciated. Bye!”