We can decide whether our weaknesses will cause us to become weak. While most weaknesses can become excuses that can potentially control us, there are exceptions that should be respected. My intentions are pure, so let’s not focus on any possible hypotheticals for this week’s update to “The Story.” Instead, let’s focus on two casual examples of when main characters John (off-center) and Trishna (center) decide to not let their physical weaknesses make them weak.
What captivates us about stories of heroes and villains? Do we enjoy seeing competent players battle, with the winner usually being one closely matching our morals and ideals? How much influence do we allow these fictional and realistic heroes to play in our lives? In “The Story,” does Rogue influence Trishna (left)? Does Deadpool influence John (right)? Would they even appear, in passing, as copyright-obscured characters? Or would their world value different sorts of heroes?
Spoiler Warning Scale: Minor (just worldbuilding) WANNA CONSIDER HOW OUR HEROES ARE MERELY JUST HUMAN/HUMAN-INSPIRED SYMBOLS OF WHAT IS POPULAR AND WHAT WE ASPIRE TO BECOME? CLICK HERE TO KEEP ON READING!
Fiction fascinates me most when characters face impossible odds and sometimes overcome them. Heroes vanquishing villains, people confronting their demons, or even overcoming common problems. The more we relate and invest in these characters, the harder it is to see them battered around. I’ve cared about John and Trishna [center] for over 15 years now. How far will I break them when I write “The Story?” Will I need to break myself in the process?
Spoiler Warning Scale: Minor (brainstorming about conflict)
WANNA READ ABOUT BREAKING DOWN CHARACTERS FROM THE APPROACH OF HOW WE BUILD THEM UP IN TERMS OF RELATING TO THEM? CLICK HERE TO KEEP ON READING!
If April Fools’s is our way to avoid taking life so seriously, what functions similarly in “The Story,” especially focusing on stress/destressing? Expanding outside of holidays, what comedy is popular, unpopular, and more important: what types of comedy do John (right) and Trishna (background) enjoy? John is a more serious individual. Does he enjoy sitcoms? Does Trishna amuse herself with punny jokes? Is silly Pollyanna (foreground) worth her weight in dog treats as a comedian?
Spoiler Warning Scale: Minor (personality considerations, character-building) WANNA READ ABOUT HOW COMEDY IS ACTUALLY A GREAT CHARACTER-BUILDING EXERCISE? WHAT HUMORS YOUR CHARACTERS IS ACTUALLY KIND OF INSIGHTFUL. CLICK HERE TO KEEP ON READING!
Adaptation is a central theme to “The Story” Trishna’s service dog Pollyanna (background, right) grew up with acres of farmland to explore. When Trishna (foreground, left) leaves for college with John (foreground, right), her family have to figure out what’s best for the now-senior Pollyanna. Does Pollyanna retire from service duties, stay on the farm, and visit on weekends? Does she stay in their dorm apartment during the day? Do they invite her to class?
Spoiler Warning Scale: Minor (worldbuilding brainstorming) WANNA CONSIDER HOW, WITHOUT FIRST-HAND EXPERIENCES OR EXTENSIVE RESEARCH, STORIES CAN FALL APART? HOPEFULLY THAT WON’T HAPPEN HERE! CLICK HERE TO KEEP ON READING!
Despite our best efforts to sacrifice our pasts for the sake of maturation, we never really forget our childhoods. Certain events and mementos remain sacred. They remind us of who we were, who we wanted to be, and who we can still be, especially if/when we’ve strayed from our paths or are concerned that we might be straying away. In this week’s update to “The Story,” let’s consider the childhood toys of John and Trishna.
Spoiler Warning Scale: Minor (character building through materialism)
WANNA SEE THIS LITTLE PLUSH’S TRANSFORMATION FROM INSIGNIFICANT OBJECT TO A PLOT ELEMENT FIRST CONSIDERED ALMOST A YEAR AGO? CLICK HERE TO KEEP ON READING!
How often do you meet new people? Not just regurgitating scripts during transactional interactions with humans, either, how often do you allow yourself open up so that new people can meet you? That does require the vulnerability of letting your guard down, inviting people to see your ego’s grit, and possibly getting hurt. “The Story” will focus on many people and encounters, centering around Trishna (left) and John (right), almost as guides through their world.
Spoiler Warning Scale: Minor (philosophical character-building!) WANNA SEE HOW JOHN AND TRISHNA MEET OTHER FICTIONAL CHARACTERS? AND HOW THIS ANALOGY WORKS WELL FOR MAKING NEW FRIENDS? CLICK HERE TO KEEP ON READING!