“Think of [moving] like Tetris. You’ve gotta fit everything into one space.” In many puzzle games, you get bonus points for lumping similar pieces together. That sort of design philosophy carries over into album sorting as well. How strictly do you adhere to empirical alphabetical order? Do you count articles [the/el]? Do you lump side projects by members of a band with the band’s discography? Or do you loosely lump albums by genre or …mood?
Ten years ago, rage and other emotions consumed me to the point of lashing out irrationally. Now, rage and other emotions still engulf me with their negative solace- that part hasn’t, and may never, completely go away for me, or any of us- it’s just I have more coping mechanisms. Maybe that’s the root of addictive behavior? Being unable to cope with the harshness of reality? We should then find subtle positive solaces within reality.
Video Games Live symphonically celebrates the best of videogame music. Led by composer Tommy Tallarico, the orchestra have performed to sold out theaters worldwide for 12 strong years now. Subjectively, I dig the cultural preservation aspect of the series, respect Tallarico’s composing and reviewing work, and enjoy most classic videogame soundtracks. Objectively, there isn’t much to appeal to folks that aren’t already fans. Can Video Games Live attract wider acceptance to this maligned music genre?
Subjective Rating: “8.0 / 10” (★★★★☆ [4/5])
Objective Rating: “6.5 / 10” (★★★☆☆ [3/5])
WANNA CONSIDER A SIDE NOTE? THAT TRON: LEGACY INTRO, MAN. GENIUS. ALRIGHT, KEEP ON READING!