I don’t know how much of the introduction to “The Story” will start before John [left] and Trishna [right] meet. It’s an important period, to be sure, rife with rudimentary situations where they both have to learn to tolerate reality. As much as they may want to hide from their situations, bullies, and presents, their adolescences, like our own, is where we form our abilities to evaluate when to fight, flight, or delight in escapism.
Like a brainstorming incubus pinning me down when I am in a half-dazed stupor, many scenes from “The Story” will appear as vestiges of memories appearing more vivid than many memories I’ve actually experienced. I’ve never experienced anything quite like what happened here to John, right, in a pneumonia-induced daze, with Trishna desperately trying to keep him warm. I just know that when I’m in that half-dazed slumber, this memory or scene will often appear:
Spoilers?: “Minor” (pre-narrative scene building)
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Thrift stores are wrought with morality and mortality. Every item was once someone’s misguided best intentions, loss of interest, or change in life situation. It’s no one’s fault. Handling donations one winter years back, I once accepted a woman’s donations and the story of her daughter outgrowing them, only to see some of those innocent objects destroyed in the trash compactor hours later. At least I gave her a sense of restoring her intended honor.
There is little more sobering than a close call. If it weren’t for the anecdotal driving stories I was told back in college, and fast reflexes, life would have been drastically different for me a few months ago. What ended up happening was the adrenaline-junkie drove off in a red car with California plates, his adrenaline high briefly reinvigorated, after slamming on his breaks from speeds about 30 miles per hour to intentionally crash my car.
Growing up, I was most interested in observing the peripheries of things. I explored through the lens of an outsider many fictional videogame worlds to see their hidden nuances. I explored my own imagination to figure out myself and explored reality with equal lenses. I wonder, now that our innocent childhoods are replaced with real life, do we want to explore our realities fully? Do we want to see unedited monuments? What is objective truth?
I’ve been procrastinating on writing “The Story” because I can’t write concisely nuanced enough yet to do it all justice. There’s an early scene codenamed “The Scene” that drives Trishna (right) and family three hours away to collect John (left). “The Scene,” and therefore “The Story,” would fall flat if I wrote it today. I don’t know when, or if, I’ll develop that skill. Loving the time until then is the only way to succeed.
We’ve arrived at such an entertainment saturation that we can easily discard anything even remotely disinteresting. I’m just as guilty as any of us. Removing anything that could distract me from accomplishing my goals could be a succinct explanation of my work ethic, and yet, there are proper ways to handle our discarded distractions. Now is the best time to consider the prevention of consuming entertainment wastefully, because we’re only getting more saturated by entertainment!