I’ll casually estimate that I’ve published over 80,500 words related to “The Story” as of yet, even though all content related to it could easily surpass 150,000. Everything is nebulously floating around inside my head, loosely organized, so even writing specific ideas twice each week are just subjective rough drafts. My plan is to write everything in one go after I feel confident that I can. Until then, here’s a 6,000-word vertical slice walking through “The Story.”
Spoilers?: Major (an entire brain-dump)
WANNA READ AS COMPREHENSIVE A LOOK INTO “THE STORY” AS IS POSSIBLE RIGHT NOW? CLICK HERE TO KEEP ON READING!
Can we really do whatever we want, or do we limit ourselves based on circumstances? Focusing within the realm of fiction, how much freedom do we truly have in telling stories? If I were to write the tale of John [left] and Trishna [right], comprising a majority segment of “The Story,” exactly as I wanted, would it sell? Would it matter? Is that why we tend to compromise, accept our fates, and don’t challenge ourselves?
Spoilers?: Minor (character brainstorming, perhaps)
WANNA READ A WINDING THOUGHT PIECE ABOUT FICTION AND REALITY? CLICK HERE TO KEEP ON READING!
In my last summer without obligations, between high school and college, I spent most of that innocent time writing a foundational element to “The Story” References stars John (left) as “everSOL the Valiant,” crash-lander on a strange planet that is driven to find his dearest friend “Trisha” (right). I forgot about References to become a salaryman. After rescuing it from this almost-lost disk, what’s available is online, unmodified. Let’s talk about my successful failure: References.
Spoiler Warning Scale: Minor (just recollections, regrets, reinforcements…) WANNA LEARN FROM MY MISTAKES TO BETTER IMPLEMENT YOUR BIGGEST IDEAS AND DREAMS? CLICK HERE TO KEEP ON READING!
Ten years ago, “The Story” was a nebulous creature, floating through the ether of my inner imagination. John “everSOL the Valiant” Ebersole and Trishna, then minus the N, had some representation, both in References and casually. These characters and their world were otherwise firmly in the back-burner on the edge of nowhere, waiting for their time to float to the surface, cooked, and ready to serve. We’re getting there, dear readers, “The Story” is cooking…
Spoiler Warning Scale: None (writing context) WANNA READ MY THOUGHTS ON WHY PEOPLE, INCLUDING MYSELF, GIVE UP ON LARGER PROJECTS? AND HOW WE CAN AVOID THAT? CLICK HERE TO KEEP ON READING!
“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.
Spoiler Warning Scale: None (just worldbuilding) WANNA READ A LITTLE ABOUT FARMING BUT MAINLY ABOUT WRITING STRATEGY? CLICK HERE TO KEEP ON READING!
I never had to seriously answer: “what you want to be when you grow up?” All I had to do was politely finish the required school work then I could lounge. Even as recently as two years ago, I worked hard at jobs, yet had no ambition toward any goals. I was content merely completing the required work so I could return to lounging. Now I’ve discovered my path and what I need to be.
WANNA READ MY PATH TO SEE IF IT’LL HELP YOU FIND YOURS? CLICK HERE TO KEEP ON READING!
I’ve retreated back to the comfort of infrequently producing ambitious content. While possibly better than producing inconsequential content frequently, I should work on a balance, so here’s an update to The Story. These two LEGO minifigs roughly represent the main characters: John holding a bus rail with his good hand, Trishna in her yellow wheelchair. Most of my recent brainstorming revolves around this transit theme.
Continue reading “[The Story] Public Transit Content”