My water bottle clanged on the floor. “Sorry a-bough-t that.” I said as I swooped up the offending bottle in a half-dozed stupor. “It’s uhh-kay.” Would life be better without these sorts of embarrassing interactions? Without these grimy grimaces, how can we know what glittery glory feels like? Perhaps it would be nicer to be free of stress, anxiety, and worries over the thises and thats of life, but sometimes that friction leads to more!
I’ve been writing and rewriting “The Story,” scene after stochastic scene, for as long as I can remember. An idea will pop up while I’m riding the bus, talking to someone, or reading a book. I’ll see a couple on the bus and think about John [left] and Trishna [right]. Better than stressing about work! In these situations, memories, or maybe more, I wonder: how much of “The Story” will be based on real people?
Let’s say you’ve got ten minutes to catch the bus, you’re nine minutes away, and the only thing preventing you from achieving that goal is fighting through your self-doubt. Megalobox embodies that spirit! We follow the efforts of underground boxer “Joe” as he becomes inspired to attain his goal of freedom through fighting in premiere boxing tournament Megalonia. Joe’s efforts mirror our own. We also fight self-doubt in attempting the impossible to attain our goals!
Rating: ★★★★★ [5/5]
Spoilers?: Nothing significant (structural commentary)
WANNA SEE HOW CONSUMING MEDIA ABOUT CHARACTERS ATTAINING THEIR GOALS CAN VICARIOUSLY INSPIRED YOU TO ATTAIN YOUR GOALS? CLICK HERE TO KEEP ON READING!
Can we truly write any character without referring, even tangentially, to personal or professional experience? No matter how fantastic, bizarre, or false a character’s actions may seem to us, they are still rooted in some level of perception of our reality. Even filtered post-collaboration, most characters still represent certain unshakeable authorial archetypes of personality. Let’s explore how similar John [center] and Trishna [right] might be to me as their character arcs develop in “The Story.”
Spoilers?: Minor (character development/exploration)
WANNA CONSIDER HOW ORIGINAL CHARACTERS ARE LIKE MOONS ORBITING THE GRAVITY FIELDS OF EXISTING CHARACTER PLANETS…? OR WAS THAT TOO ABSTRACT? CLICK HERE TO KEEP ON READING!
What hill are you willing to die on? What is the one goal you hold in such high regard that you will do whatever it takes, for however long it may take, to achieve? My truth is, even after fully envisioning the achievement resulting from surviving that hill, any vulnerable moment contains elements trying to drag me down. Why can’t we ignore these distractions and continue our climb? Why do we fight in meaningless battles?
It never truly goes away. Despite your best intentions, and no matter how good life might appear on the outside, it’s hard to address that inner anguish that might creep in subtly as one bad day after another, with a crash bang relapse, or just randomly. How can we address that stress if we don’t express it? How can we express that stress if we don’t know we’re in it? When the pain goes away?
Most days are reliable like any piece of furniture, where any decent chair will consistently relieve your physical stress, then there are those few days… Maybe something breaks off from the chair? Maybe there’s an awkwardly persistent smell? Maybe something just feels off when you sit on it? What happens on those days? We can’t just dump the “broken chair” off somewhere and buy a new one. How then can we reupholster our life’s chair?