[The Story] Myths and Superheroes

What captivates us about stories of heroes and villains? Do we enjoy seeing competent players battle, with the winner usually being one closely matching our morals and ideals? How much influence do we allow these fictional and realistic heroes to play in our lives? In “The Story,” does Rogue influence Trishna (left)? Does Deadpool influence John (right)? Would they even appear, in passing, as copyright-obscured characters? Or would their world value different sorts of heroes?

Spoiler Warning Scale: Minor (just worldbuilding) WANNA CONSIDER HOW OUR HEROES ARE MERELY JUST HUMAN/HUMAN-INSPIRED SYMBOLS OF WHAT IS POPULAR AND WHAT WE ASPIRE TO BECOME? CLICK HERE TO KEEP ON READING!

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[The Story] Breaking The Characters

Fiction fascinates me most when characters face impossible odds and sometimes overcome them. Heroes vanquishing villains, people confronting their demons, or even overcoming common problems. The more we relate and invest in these characters, the harder it is to see them battered around. I’ve cared about John and Trishna [center] for over 15 years now. How far will I break them when I write “The Story?” Will I need to break myself in the process?

Spoiler Warning Scale: Minor (brainstorming about conflict)
WANNA READ ABOUT BREAKING DOWN CHARACTERS FROM THE APPROACH OF HOW WE BUILD THEM UP IN TERMS OF RELATING TO THEM? CLICK HERE TO KEEP ON READING!

[The Story] Dog Park Adventures

Adaptation is a central theme to “The Story” Trishna’s service dog Pollyanna (background, right) grew up with acres of farmland to explore. When Trishna (foreground, left) leaves for college with John (foreground, right), her family have to figure out what’s best for the now-senior Pollyanna. Does Pollyanna retire from service duties, stay on the farm, and visit on weekends? Does she stay in their dorm apartment during the day? Do they invite her to class?

Spoiler Warning Scale: Minor (worldbuilding brainstorming) WANNA CONSIDER HOW, WITHOUT FIRST-HAND EXPERIENCES OR EXTENSIVE RESEARCH, STORIES CAN FALL APART? HOPEFULLY THAT WON’T HAPPEN HERE! CLICK HERE TO KEEP ON READING!

[The Story] Meeting New People

How often do you meet new people? Not just regurgitating scripts during transactional interactions with humans, either, how often do you allow yourself open up so that new people can meet you? That does require the vulnerability of letting your guard down, inviting people to see your ego’s grit, and possibly getting hurt. “The Story” will focus on many people and encounters, centering around Trishna (left) and John (right), almost as guides through their world.

Spoiler Warning Scale: Minor (philosophical character-building!) WANNA SEE HOW JOHN AND TRISHNA MEET OTHER FICTIONAL CHARACTERS? AND HOW THIS ANALOGY WORKS WELL FOR MAKING NEW FRIENDS? CLICK HERE TO KEEP ON READING!

[The Story] Meeting Their Villains

The ideal world would not have any villains. We’d go about our peaceful days without conflict. This “drama-free” world would not be functional, however, because by our very natures we have different interests and therefore investments. I’d rather wake up early to write broadly about how John and Trishna (right), main characters of “The Story” might overcome adversity, here shown as Dr. Mindbender (left). You might prefer clicking on the link/image below to continue reading.

Spoiler Warning Scale: Minor (just chatting about psychology/backstories) WANNA STOP SIGHING LOUDLY OVER HOW CORNY THAT SEGWAY WAS AND KEEP READING ABOUT HANDLING CONFLICT? YOU KNOW YOU DO. CLICK HERE TO KEEP ON READING!

[The Story] Words Mean Nothing IV

Words mean nothing between Trishna (left) and John (right). As main characters of “The Story,” they’ve built rapport via thousands of digital words and hours of phone conversation before ever meeting. While other side characters may falter over minor miscommunication misunderstandings, typically, they understand each other almost subconsciously. That might be the cosmic romantic ideal, so I’m taking my time to explore their personalities and understand their faults fully, before I begin writing their story.

Spoiler Warning Scale: Minor (mainly background) WANNA CONSIDER HOW WHEN YOU UNDERSTAND SOMEONE, WHAT THEY SAY IS SECONDARY TO WHAT THEY MEAN? CLICK HERE TO KEEP ON READING!

[The Story] Buying Their Farm II

“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.

Spoiler Warning Scale: None (just worldbuilding) WANNA READ A LITTLE ABOUT FARMING BUT MAINLY ABOUT WRITING STRATEGY? CLICK HERE TO KEEP ON READING!