“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.
Thursdays have, in the recent months, been dedicated to writing about self-improvement. Through improving my space, attitude, workflow, and other areas, I’ve developed the persistence to work on bigger concepts. If any mentality or physicality were hindered by self-doubt, I’d be instead wallowing in negativity. Let’s continue that conceptual evolution by asking the big question: where do I see myself in five years? In a better spot, of course! So what’s the “getting there” plan?
The tragedy of working is that once you get employed, your life or at least your inner monologue, revolves around work. You think of the victories and failures of work… oh, hey… this was supposed to be this week’s update to “The Story…” Even in this idyllic setting, where John (right) and Trishna (left) are lounging in the snow, they might still be working, in their minds. Unless, they’ve been working part-time or short-term gigs!
Spoiler Warning Scale: Minor (other than the context of what you see in the photo)
WANNA CONSIDER HOW OUR CAREERS DISTRACT US FROM OUR LIVES? CLICK HERE TO KEEP ON READING!
“The Story,” my ambitious project that permeates everything I do, has holidays similar to modern Americana. Let’s consider their biggest winter holiday: most everyone in Trishna’s extended family meets at her parents’s place, the Lanchester farm, for a day or so of festivities and socializing. This is also John’s first holiday with the family, and perhaps first big holiday gathering, since his childhood years were spent neglected or ignored. Let’s focus on the positive festivities:
Spoiler Warning Scale: Minor (first year narrative and world building)
WANNA SEE WORLD BUILDING AND FAMILY DYNAMICS OF THE MAIN CHARACTERS OF THE STORY? CLICK HERE TO KEEP ON READING!
This scene in “The Story” concluded a recent float tank session like a vague memory from a life I never lived. Shortly after John (right) arrives at Trishna’s family farm, her father Divit (center) has “the chat” he has with anyone that is considering becoming close friends with any of his daughters or sons. Let’s explore how I’m building this scene, so once I write it formally, it will have the appropriate emotion and resonance.
“Train’s running late.”
“Yeah, Sam, and normally there are at least some people here at this stop.”
“It’s weird, Jane. This’s the last post outta 174′ in rush-year traffic. What day is it?”
“It’s five past October. No holidays come to mind in the Neuro. Weird.”
Two salarywomen chat about their delayed train at the 29th post of the FP-line, exiting the 174-9-Ughbug Space Colony for the 309-29-Suburbs, when one will step out onto the tracks.
It’s been useful having physical representations of the main characters of “The Story.” I can bring these minifigs representing Trishna (left) and John (right) along with me to brainstorm ideas on the go and their ubiquity allows me to quickly consider in new ideas. The set with Trishna’s wheelchair also had this dog, which after some brainstorming, became a pivotal character in her back story. Let’s explore how one dog could provide such great service.
Spoiler Warning Scale: Minor (character-building, without major plot details)
WANNA INCIDENTALLY READ MORE ABOUT SERVICE DOGS ALONG WITH A DOG CHARACTER BIOGRAPHY? CLICK HERE TO KEEP ON READING!