[The Story] Shave and Bathe

Now that I’m writing bi-weekly updates to “The Story,” I dredged up an interesting realization: why not write about some of the scenes that float through my imagination? It’ll be good practice for the real thing! Throwing characters into hypothetical situations can help build context for how they’ll act in other scenes. Like a movie playing on repeat, what if these scenes are already swimming around in your imagination? Let’s start with an innocent one:

Spoilers?: Minor (rough scene walkthrough)
WANNA CONSIDER HOW THE MORE YOU WORK ON A PROJECT, THE MORE THE PROJECT GROWS SEEMINGLY BY ITSELF? THEN ISN’T IT A MATTER OF SHAVING THE EXCESS? CLICK HERE TO KEEP ON READING!

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[The Story] Aspirations of Homesickness

How much would you sacrifice to make your aspirations possible? How important is your comfort? As we grow older, there’s a growing sense of wanting more from life. For Trishna (right), she wants to go to college to fulfill her dreams and become independently successful, well, along with John (left), yet part of that means leaving her retiring service dog Pollyanna (center) and family at home. How might that answer be addressed in “The Story?”

Spoiler Warning Scale: Minor (character exploration) WANNA CONSIDER HOW MUCH SACRIFICE THEY AND WE GIVE TO ACHIEVE OUR ASPIRATIONS? CLICK HERE TO KEEP ON READING!

[The Story] Mother’s Day Moments

Mother’s Day for the Lanchester family is an important celebration. Like Father’s Day, and everyone’s birthday, it’s more than just an excuse for Trishna (left) to take photos of her newborn niece Alejandría (“Allie Pally”). It’s a time to reconnect, fortify long-term goals, work through any lingering problems that might need attention, and celebrate the matriarchal side of the family. Let’s explore how Mother’s Days might feel in the first few years of “The Story.”

Spoiler Warning Scale: Minor (hypotheticals, character development)
WANNA READ ABOUT SOME COOL MOMS AND POTENTIAL MOMS? CLICK HERE TO KEEP ON READING!

[The Story] Our Most Vulnerable

No matter how much we mentally prepare for change, life can slip out of control instantly. “Tout passe [everything goes], tout lasse [everything tires], tout casse [everything breaks].[1]” The concept of “control” is a mental construct of our collective imagination that we dare wield to challenge The Great Unknown in a battle of normalcy over our chaotic reality. With only tangential relation, how might Trishna (center) and John (right) handle vulnerable moments in “The Story?”

Spoiler Warning Scale: Minor (some early events)
WANNA VICARIOUSLY EXPLORE WEAKNESS SO THAT WE MAY BECOME STRONGER? CLICK HERE TO KEEP ON READING!

[The Story] Entertaining Solo Hobbies

The introductory conflict of “The Story” is how two social outcasts, John (left) and Trishna (right), want to develop their relationship yet can’t due to geographic distance. It’s not spoiling this conflict to say they do meet, since this conflict is the narrative introduction deemed “The Scene,” and it’s a convenient inference. If their natural inclination then is spending all of their time together, after spending years physically apart, would they even have separate hobbies?

Spoiler Warning Scale: Minor (character development) WANNA CONSIDER HOW WE MIGHT OVERSATURATE OURSELVES BY SOAKING IN TOO MUCH OF ONE THING? CLICK HERE TO KEEP ON READING!

[Fiction Practice] Your Barnyard Animal?

The 5-person panel interview at the Department of Revenue was going ‘excellent’ and ‘alright’ simultaneously. Everyone flipped between either word for every answer. Jane was having trouble reading the expressions of the two potential teammates, hiring manager, and two customers when she heard the strangest interview question of her career: “If my team were a farm, what barnyard animal would you be, and why?” She’d brushed up on any applicable modern technology, but nothing agricultural.

WANNA READ THIS REAL-LIFE INTERVIEW QUESTION AND POSSIBLY HOW TO NAIL IT? CLICK HERE TO KEEP ON READING!

[The Story] Weak versus Weakness

We can decide whether our weaknesses will cause us to become weak. While most weaknesses can become excuses that can potentially control us, there are exceptions that should be respected. My intentions are pure, so let’s not focus on any possible hypotheticals for this week’s update to “The Story.” Instead, let’s focus on two casual examples of when main characters John (off-center) and Trishna (center) decide to not let their physical weaknesses make them weak.

Spoiler Warning Scale: Minor (character development) WANNA CONSIDER HOW WE’RE MORE CAPABLE THAN WE MIGHT INITIALLY THINK OURSELVES TO BE? CLICK HERE TO KEEP ON READING!