“They’re late…” I’ve already cleaned my invisible tools thrice for this heist. I’ve been waiting here at this library park bench until my team shows up for how long now? I told them when to meet me here and to look for my shoes. I’m not especially inconspicuous…
“You there! Didn’t you see the sign? No loitering!”
An eccentric police officer wearing filtering glasses suddenly appeared.
“Oh, officer! Maybe you can help me. I’m waiting-“
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“Train’s running late.”
“Yeah, Sam, and normally there are at least some people here at this stop.”
“It’s weird, Jane. This’s the last post outta 174′ in rush-year traffic. What day is it?”
“It’s five past October. No holidays come to mind in the Neuro. Weird.”
Two salarywomen chat about their delayed train at the 29th post of the FP-line, exiting the 174-9-Ughbug Space Colony for the 309-29-Suburbs, when one will step out onto the tracks.
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“He just punched you in the face!”
The bruised cop rubbed her chin while assessing the unassuming suspect.
“Now then, I hypothesize you must be weighing the benefits of running versus surrendering. Are you calculating your abilities to outrun us? Considering your economic gains by selling these stolen goods? If you don’t resist arrest, we’ll go easy on you and I’ll just consider the punch a temporarily depreciating investment. Otherwise, your assets might run dry!”
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“The Story” will mainly tell the story of two characters: John (left) and Trishna (center). During a summer they spend together on Trishna’s family farm before heading off to college, after years of chatting exclusively online with the occasional phone call, they learn about each other and the world. They’ll talk with her parents Divit (center) and Brigit (right) about these topics, in passing, cemented with one serious conversation that should help them stay safe.
Spoiler Warning Scale: Minor (backstory and worldbuilding)
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Let’s continue the worldbuilding from last week’s brainstorming update to “The Story” with how manufacturing in Trishna (left) and John’s world might look. Their world doesn’t stray too far from reality. Most of the same comforts are generated from industries, meaning the hardest labor work is automated, and it’s fairly easy to live a decent life. Maybe not luxurious, though in comparison to famine and disease? Could be much worse. Let’s explore in more detail.
Spoiler Warning Scale: Minor (specific location details about their world)
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Since I primarily type and navigate technology with my right hand’s index finger and thumb, I’ve tied these fingers together for method acting during this week’s update to “The Story” to empathize with how John (below, left) would use technology. It’s not easy! John and Trishna (right) are fortunately strong-willed characters, so let’s explore how they’ve adapted to their impairments, how their world broadly considers accessibility, and how technology has helped both them and us.
Spoiler Warning Scale: Minor (character/world building)
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Punctuating brave, loving, and violent moments somewhere in “The Story” is a quiet scene that’s lingered in my head for years. John (driving) and Trishna are driving along and nothing exciting happens. No car accident or argument. Just a close couple going toward their mutual goal. In this week’s brainstorming update, let’s cover some of how they’ll arrive at their motivation, because while you can have any goal you want, it’s all about getting there.
Spoiler Warning Scale: Minor (background character development)
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