If my ambitions for “The Story” include comprehensive commentaries on the nature of our reality, how much nuance should go into those commentaries? A thoroughly-built restaurant might evoke patron conversations idly chatting over the fine flatware or reveal restaurateuring price negotiations for finer flatware. The narrative should always guide the focus. It’d waste your time and my effort if Trishna (left) and John (right) only visited Zbigniew’s (center) Teriyaki once. But if they go frequently…?
Spoilers?: Minor (worldbuilding, character development)
WANNA CONSIDER BALANCING WOLRDBUILDING DETAIL BASED ON THE NARRATIVE WEIGHT OF THE LOCATION? CLICK HERE TO KEEP ON READING!
“Do you have 50 cents you could spare this afternoon?” “Yeah, sure… You hanging in there alright?” I gave him all my change, 8 cents, and one dollar more. “Thank you. Yeah, I am.” The man wearing a dirty hoodie in the dry heat walked off, looking disbelieved over money. Life in “The Story” isn’t easier than our own. John (left) had periods of teenage homelessness before being “adopted” into Trishna’s (right) life. Can we adopt everyone?
Spoiler Warning Scale: Minor (worldbuilding, rant piece) WANNA CONSIDER AN UNCOMFORTABLE TOPIC AND MAYBE HOW WE CAN WORK TOWARD MAKING IT MORE COMFORTABLE FOR EVERYONE? CLICK HERE TO KEEP ON READING!
What captivates us about stories of heroes and villains? Do we enjoy seeing competent players battle, with the winner usually being one closely matching our morals and ideals? How much influence do we allow these fictional and realistic heroes to play in our lives? In “The Story,” does Rogue influence Trishna (left)? Does Deadpool influence John (right)? Would they even appear, in passing, as copyright-obscured characters? Or would their world value different sorts of heroes?
Spoiler Warning Scale: Minor (just worldbuilding) WANNA CONSIDER HOW OUR HEROES ARE MERELY JUST HUMAN/HUMAN-INSPIRED SYMBOLS OF WHAT IS POPULAR AND WHAT WE ASPIRE TO BECOME? CLICK HERE TO KEEP ON READING!
In my last summer without obligations, between high school and college, I spent most of that innocent time writing a foundational element to “The Story” References stars John (left) as “everSOL the Valiant,” crash-lander on a strange planet that is driven to find his dearest friend “Trisha” (right). I forgot about References to become a salaryman. After rescuing it from this almost-lost disk, what’s available is online, unmodified. Let’s talk about my successful failure: References.
Spoiler Warning Scale: Minor (just recollections, regrets, reinforcements…) WANNA LEARN FROM MY MISTAKES TO BETTER IMPLEMENT YOUR BIGGEST IDEAS AND DREAMS? CLICK HERE TO KEEP ON READING!
“They’re late…” I’ve already cleaned my invisible tools thrice for this heist. I’ve been waiting here at this library park bench until my team shows up for how long now? I told them when to meet me here and to look for my shoes. I’m not especially inconspicuous…
“You there! Didn’t you see the sign? No loitering!”
An eccentric police officer wearing filtering glasses suddenly appeared.
“Oh, officer! Maybe you can help me. I’m waiting-“
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“Train’s running late.”
“Yeah, Sam, and normally there are at least some people here at this stop.”
“It’s weird, Jane. This’s the last post outta 174′ in rush-year traffic. What day is it?”
“It’s five past October. No holidays come to mind in the Neuro. Weird.”
Two salarywomen chat about their delayed train at the 29th post of the FP-line, exiting the 174-9-Ughbug Space Colony for the 309-29-Suburbs, when one will step out onto the tracks.
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“He just punched you in the face!”
The bruised cop rubbed her chin while assessing the unassuming suspect.
“Now then, I hypothesize you must be weighing the benefits of running versus surrendering. Are you calculating your abilities to outrun us? Considering your economic gains by selling these stolen goods? If you don’t resist arrest, we’ll go easy on you and I’ll just consider the punch a temporarily depreciating investment. Otherwise, your assets might run dry!”
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