To open one door, you must usually close another door. We often want to cheat the system and keep both doors open as long as possible, maybe because we can’t fully accept choosing one path, but what does that accomplish but ensure we can’t pass through either door? John and Trishna conclude their week-long vacation visiting family in Sindia before starting the College Arc of “The Story” not wanting to pass through those “farewell” doors.
How much give and take should be in any friendship or relationship? For acquaintances or friendships, it’s easy: with just a casual understanding of each other’s general life circumstances, we can broadly discuss difficult subjects in passing. Deeper relationships enrich us, yet, there’s almost too much focus on nuance. In “The Story,” specifically focusing on the relationship of Trishna [left] and John [right], how much of their focus is on the trees or the forest?
Spoilers?: Minor (broadly exploring relationships)
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The most miserable people I’ll meet always have goals and no plans for achieving them. Large or small – whether it’s getting out of debt, buying a boat, getting a job, getting a better job, or finding happiness – I’ve found misery in people’s life perspective when their goal is impossible rather than difficulty obtainable. If my current big goal is writing “The Story,” centered on John [left] and Trishna [right], what goals are they focused on?
Spoilers?: Major…? (early plot structures)
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