[The Story] Reviews and References

I am inspired by everything. My nebulous memory recalls obscure scenes from movies last watched years back or situations experienced months ago. The resulting recollections create unique new memories. In this collaborative environment, it is, therefore, most important to observe and understand myriad random circumstances. “The Story,” in my initial attempt would proudly wear its references, reflected even in its name “References,” but now as I develop John [bottom-right] and Trishna [bottom-left], that consideration changed.

Spoilers?: Minor (comparing multiple characters)
WANNA CONSIDER HOW CLOSELY WE ARE INSPIRED BY THAT WHICH WE LIKE? CLICK HERE TO KEEP ON READING!

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[The Story] Frequenting Zbigniew’s Teriyaki

If my ambitions for “The Story” include comprehensive commentaries on the nature of our reality, how much nuance should go into those commentaries? A thoroughly-built restaurant might evoke patron conversations idly chatting over the fine flatware or reveal restaurateuring price negotiations for finer flatware. The narrative should always guide the focus. It’d waste your time and my effort if Trishna (left) and John (right) only visited Zbigniew’s (center) Teriyaki once. But if they go frequently…?

Spoilers?: Minor (worldbuilding, character development)
WANNA CONSIDER BALANCING WOLRDBUILDING DETAIL BASED ON THE NARRATIVE WEIGHT OF THE LOCATION? CLICK HERE TO KEEP ON READING!

[The Story] My Oldest References

In my last summer without obligations, between high school and college, I spent most of that innocent time writing a foundational element to “The Story” References stars John (left) as “everSOL the Valiant,” crash-lander on a strange planet that is driven to find his dearest friend “Trisha” (right). I forgot about References to become a salaryman. After rescuing it from this almost-lost disk, what’s available is online, unmodified. Let’s talk about my successful failure: References.

Spoiler Warning Scale: Minor (just recollections, regrets, reinforcements…) WANNA LEARN FROM MY MISTAKES TO BETTER IMPLEMENT YOUR BIGGEST IDEAS AND DREAMS? CLICK HERE TO KEEP ON READING!

[The Story] In Ten Years IV

In ten years, will these minifigures from “The Story” be sold in mass production like M.U.S.C.L.E. minifigures or Stranger Things toys? While not for financial or egotistical reasons, is that sort of widespread appeal possible for main characters John (left) and Trishna (right)? That ambition involves writing the best story I can, while also figuring out the right angle to get people to become interested in reading an ambitious novel. Will it happen? …In 20 years?

Spoiler Warning Scale: None (Mainly musing? Maybe more…?) WANNA READ A CLEVER IDEA ON GETTING PEOPLE INTERESTED IN THE WRITING PROCESS? AND MAYBE, THEREFORE, READING? CLICK HERE TO KEEP ON READING!

[The Story] Ten Years Ago IV

Ten years ago, “The Story” was a nebulous creature, floating through the ether of my inner imagination. John “everSOL the Valiant” Ebersole and Trishna, then minus the N, had some representation, both in References and casually. These characters and their world were otherwise firmly in the back-burner on the edge of nowhere, waiting for their time to float to the surface, cooked, and ready to serve. We’re getting there, dear readers, “The Story” is cooking…

Spoiler Warning Scale: None (writing context) WANNA READ MY THOUGHTS ON WHY PEOPLE, INCLUDING MYSELF, GIVE UP ON LARGER PROJECTS? AND HOW WE CAN AVOID THAT? CLICK HERE TO KEEP ON READING!

[The Story] Buying Their Farm II

“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.

Spoiler Warning Scale: None (just worldbuilding) WANNA READ A LITTLE ABOUT FARMING BUT MAINLY ABOUT WRITING STRATEGY? CLICK HERE TO KEEP ON READING!

[The Story] Don’t Hurt Her

This scene in “The Story” concluded a recent float tank session like a vague memory from a life I never lived. Shortly after John (right) arrives at Trishna’s family farm, her father Divit (center) has “the chat” he has with anyone that is considering becoming close friends with any of his daughters or sons. Let’s explore how I’m building this scene, so once I write it formally, it will have the appropriate emotion and resonance.

Spoiler Warning Scale: Minor (scene-building)
WANNA SEE HOW I’M TACKLING ONE OF THE CORNERSTONE SCENES OF THE STORY? CLICK HERE TO KEEP ON READING!